{"id":44,"date":"2026-02-15T20:39:51","date_gmt":"2026-02-16T01:39:51","guid":{"rendered":"https:\/\/jimmycarrillo.com\/?p=44"},"modified":"2026-02-15T20:55:21","modified_gmt":"2026-02-16T01:55:21","slug":"leaving-green-behind","status":"publish","type":"post","link":"https:\/\/jimmycarrillo.com\/?p=44","title":{"rendered":"Leaving Green Behind"},"content":{"rendered":"\n

Dejar el verde atr\u00e1s<\/h2>\n\n\n\n

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Leaving Green Behind (2024) es un proyecto audiovisual desarrollado durante una residencia internacional en Marsella (Francia), en el marco de la plataforma Dos Mares. La obra parte de memorias, archivos personales y materiales recolectados en Madre de Dios, en la Amazon\u00eda peruana, para explorar las tensiones entre extractivismo, tecnolog\u00eda y construcci\u00f3n de memoria.<\/p>\n\n\n\n

El proyecto utiliza datos reales sobre el impacto de la miner\u00eda ilegal (deforestaci\u00f3n, degradaci\u00f3n territorial y p\u00e9rdida de biodiversidad) como materia prima para la generaci\u00f3n de im\u00e1genes y paisajes sonoros mediante herramientas de inteligencia artificial. A trav\u00e9s de procesos de distorsi\u00f3n digital, la informaci\u00f3n cient\u00edfica se transforma en una experiencia sensorial que oscila entre lo documental y lo on\u00edrico.<\/p>\n\n\n\n

La pieza propone una reflexi\u00f3n sobre el territorio como construcci\u00f3n emocional y pol\u00edtica, y sobre la tecnolog\u00eda como lenguaje ambiguo: instrumento de control y devastaci\u00f3n, pero tambi\u00e9n de reinterpretaci\u00f3n y reimaginaci\u00f3n. La obra no busca ilustrar datos, sino tensionarlos, desplazarlos hacia una dimensi\u00f3n afectiva.<\/p>\n\n\n\n

Combinando sonido, imagen digital y archivo personal, Leaving Green Behind construye un espacio inmersivo donde la memoria individual dialoga con procesos estructurales de violencia ambiental. El proyecto plantea preguntas sobre c\u00f3mo representar la devastaci\u00f3n sin repetir sus l\u00f3gicas extractivas, y c\u00f3mo traducir cifras abstractas en experiencias sensibles que interpelen al espectador.<\/p>\n\n\n\n

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Leaving Green Behind<\/h2>\n\n\n\n

Leaving Green Behind (2024) is an audiovisual project developed during an international residency in Marseille (France) as part of the Dos Mares platform. The work draws from personal memories, archival material, and field research collected in Madre de Dios, in the Peruvian Amazon, to explore tensions between extractivism, technology, and memory construction.<\/p>\n\n\n\n

The project uses real data on the impact of illegal mining \u2014 including deforestation, territorial degradation, and biodiversity loss \u2014 as raw material to generate distorted images and soundscapes through artificial intelligence tools. Scientific information is transformed into a sensory experience that moves between documentary and dreamlike registers.<\/p>\n\n\n\n

Rather than illustrating data, the work reinterprets it, shifting quantitative information into an affective dimension. The piece reflects on territory as both an emotional and political construction, and on technology as an ambiguous language \u2014 a tool of control and destruction, but also of reimagination.<\/p>\n\n\n\n

By combining sound, digital imagery, and personal archive, Leaving Green Behind creates an immersive environment where individual memory intersects with structural environmental violence. The project questions how devastation can be represented without reproducing extractive logics, and how abstract data can be translated into embodied experience.<\/p>\n\n\n\n

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Dejar el verde atr\u00e1s Leaving Green Behind (2024) es un proyecto audiovisual desarrollado durante una residencia internacional en Marsella (Francia), en el marco de la plataforma Dos Mares. La obra parte de memorias, archivos personales y materiales recolectados en Madre de Dios, en la Amazon\u00eda peruana, para explorar las tensiones entre extractivismo, tecnolog\u00eda y construcci\u00f3n […]<\/p>\n","protected":false},"author":1,"featured_media":47,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-44","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital-art"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/posts\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=44"}],"version-history":[{"count":1,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/posts\/44\/revisions"}],"predecessor-version":[{"id":48,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/posts\/44\/revisions\/48"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/media\/47"}],"wp:attachment":[{"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=44"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=44"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}