{"id":49,"date":"2026-02-15T20:43:24","date_gmt":"2026-02-16T01:43:24","guid":{"rendered":"https:\/\/jimmycarrillo.com\/?p=49"},"modified":"2026-02-15T20:53:54","modified_gmt":"2026-02-16T01:53:54","slug":"what-remains-in-the-air","status":"publish","type":"post","link":"https:\/\/jimmycarrillo.com\/?p=49","title":{"rendered":"What Remains in the Air"},"content":{"rendered":"\n

Lo que queda en el aire<\/h2>\n\n\n\n

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Lo que queda en el aire (2025) es una instalaci\u00f3n audiovisual inmersiva desarrollada en colaboraci\u00f3n con comunidades amaz\u00f3nicas en Pucallpa, Per\u00fa. El proyecto articula saber ecol\u00f3gico tradicional, memoria oral y datos cient\u00edficos sobre cambio clim\u00e1tico para explorar el territorio como un archivo vivo, donde lo invisible (el sonido, la memoria) adquiere forma y presencia.<\/p>\n\n\n\n

A trav\u00e9s de sensores de movimiento, audio espacial y visuales generativos, la instalaci\u00f3n responde a la presencia corporal del visitante. Cada desplazamiento activa fragmentos de voces, paisajes sonoros del bosque y composiciones construidas a partir de datos ambientales. El tiempo ecol\u00f3gico y el tiempo humano se entrelazan en una experiencia que privilegia la escucha como acto pol\u00edtico y po\u00e9tico.<\/p>\n\n\n\n

La obra propone el sonido como residuo y advertencia, como aquello que permanece incluso cuando el paisaje ha sido transformado. Frente a narrativas extractivistas que reducen el territorio a recurso, el proyecto plantea una relaci\u00f3n basada en la atenci\u00f3n y la reciprocidad.<\/p>\n\n\n\n

Lo que queda en el aire reflexiona sobre c\u00f3mo los sistemas tecnol\u00f3gicos pueden dialogar con conocimientos ind\u00edgenas sin absorberlos ni traducirlos de manera reductiva. La instalaci\u00f3n propone la creaci\u00f3n art\u00edstica como un espacio de mediaci\u00f3n entre datos cient\u00edficos, memoria comunitaria y experiencia sensorial.<\/p>\n\n\n\n

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What Remains in the Air<\/h2>\n\n\n\n

What Remains in the Air (2025) is an immersive audiovisual installation developed in collaboration with Amazonian communities in Pucallpa, Peru. The project brings together traditional ecological knowledge, oral memory, and scientific climate data to explore territory as a living archive \u2014 where the invisible elements of sound, atmosphere, and memory become perceptible.<\/p>\n\n\n\n

Through motion sensors, spatial audio, and generative visuals, the installation responds to the visitor\u2019s bodily presence. Movement activates fragments of voices, forest soundscapes, and compositions derived from environmental data. Ecological time and human time intertwine in an experience that foregrounds listening as both a political and poetic act.<\/p>\n\n\n\n

The work understands sound as residue and warning \u2014 as something that persists even after landscapes have been altered. In contrast to extractivist narratives that reduce territory to resource, the project proposes a relationship grounded in attention and reciprocity.<\/p>\n\n\n\n

What Remains in the Air reflects on how technological systems can engage with Indigenous knowledge without absorbing or flattening it. The installation frames artistic practice as a space of mediation between scientific data, community memory, and embodied perception.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Lo que queda en el aire Lo que queda en el aire (2025) es una instalaci\u00f3n audiovisual inmersiva desarrollada en colaboraci\u00f3n con comunidades amaz\u00f3nicas en Pucallpa, Per\u00fa. El proyecto articula saber ecol\u00f3gico tradicional, memoria oral y datos cient\u00edficos sobre cambio clim\u00e1tico para explorar el territorio como un archivo vivo, donde lo invisible (el sonido, la […]<\/p>\n","protected":false},"author":1,"featured_media":51,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-49","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital-art"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/posts\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49"}],"version-history":[{"count":1,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/posts\/49\/revisions"}],"predecessor-version":[{"id":52,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/posts\/49\/revisions\/52"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=\/wp\/v2\/media\/51"}],"wp:attachment":[{"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jimmycarrillo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}